
Las películas

Todo es cuestión de películas.
A continuación encontrará nuestra lista oficial de selecciones actuales, seguida de los proyectos cinematográficos ganadores y las selecciones oficiales de temporadas anteriores. Si bien la mayoría de las películas aún se exhiben exclusivamente en festivales o tienen una distribución limitada, varias ganadoras de ediciones anteriores están disponibles para el público. Consulte los enlaces a continuación para obtener más información.

ARCHIVO DE PELÍCULAS AZ PAIFF
Title | Director | Poster | Film Type | Runtime Minutes | Country/Countries | PAIFF Season | PAIFF Awards... |
|---|---|---|---|---|---|---|---|
Okhaldhunga | Marcel Weiß | Documentary | 71 | Germany | Season 2 (2025) | Official Selection | |
Old Death | Kyle Garrett | Music Video | 7 | United States | Season 1 (2024) | Official Selection | |
Orange Cove | John Lockmer | Short | 12 | United States | Season 3 (2026) | Official Selection | |
Out of the Picture | Mary Louise Schumacher | Documentary,Feature | 98 | United States | Season 2 (2025) | Official Selection | |
Over the Moon: My Adventures Dealing with Cults | Michael A Smith, Ted E Haynes | Documentary | 65 | United States | Season 3 (2026) | Official Selection | |
Parasomnia | Daniel Noblom Gibert | Narrative Short | Spain | PAIFF Season 3 (2026) | Official Selection | ||
PeriPerseu | Stella Brajterman | Experimental | 5 | Brazil | Season 3 (2026) | Official Selection | |
Piggy Duster | Jesse Stewart | Feature | 91 | United States | Season 3 (2026) | BEST FIRST FEATURE FILM,BEST VISIONARY DIRECTOR,BEST EXECUTIVE PRODUCER | |
Planet of Rust | George Merabishvili | Short | Cyprus | Season 1 (2024) | Official Selection | ||
Poyyamozhi | Sudhi Anna | Feature | 99 | India | Season 2 (2025) | Official Selection | |
Prayer of the Sea | Martin Gerigk | Animation,Experimental,Short,Other | 7 | Germany | Season 3 (2026) | Official Selection | |
Public Phone | Mois Roditi Haydenblit | Feature | Mexico | Season 3 (2026) | Official Selection | ||
Quarantine | Narrative Short | 20 | Iran | Season 2 (2025) | Official Selection | ||
R.d.Cane...'52 Thursdays' | R.d Cane | Documentary,Experimental,Music Video,Other | 24 | Canada | Season 1 (2024) | Official Selection | |
Rag Dolls | Amy Adler | Documentary,Short | 12 | Mexico,United States | Season 3 (2026) | Honorable Mention | |
Reflection short film | Maedeh Abdi | Feature,Short,Student,Television,Other | 4 | Iran | Season 2 (2025) | Official Selection | |
Return of the Black Madonna | KERRA BOLTON | Documentary,Short | 15 | United States | Season 2 (2025) | BEST DIRECTOR - DOCUMENTARY SHORT FILM,BEST FIRST DOCUMENTARY SHORT FILM | |
Robofauna | Gerardo Escudero Samara | Experimental,Short,Other | 4 | Panama | Season 2 (2025) | Official Selection | |
Roswell Delirium | Richard Bakewell | Feature | 110 | United States | Season 1 (2024) | BEST FEATURE FILM,BEST SUPPORTING ACTOR,BEST CINEMATOGRAPHY,BEST ORIGINAL SCORE - FEATURE,BEST SUPPORTING ACTRESS | |
Sahara - End Of Trip | Antonio Rodríguez Cabal | Feature | 129 | Spain | Season 2 (2025) | BEST FEATURE FILM,BI-MONTHLY BEST FEATURE,BEST CINEMATOGRAPHY - FEATURE FILM,BEST ACTRESS - FEATURE FILM | |
Sargassum | Claude Barnes | Documentary | 90 | Canada | Season 3 (2026) | BEST ENVIRONMENTAL FILM | |
Saving Walden's World | James S Merkel, Deborah Shaffer | Documentary | 89 | United States | Season 1 (2024) | AUDIENCE CHOICE AWARD | |
Searching For That Sea | Xavier Guàrdia | Music Video | 4 | Spain | Season 3 (2026) | Official Selection | |
Shield. The living wall of the Caribbean | Mario Cuesta Hernando | Documentary,Feature | 80 | Spain | Season 3 (2026) | BEST CINEMATOGRAPHY - DOCUMENTARY FILM | |
Shot! | Lyrics Only | 4 | Mexico | Season 1 (2024) | BEST ORIGINAL SCORE - MUSIC VIDEO | ||
Shrouded Destiny: A Star Wars Long Tale - Part 1 of 3 | Shahbaz Sarwar | Short | 30 | Denmark | Season 2 (2025) | BI-MONTHLY BEST SHORT FILM,BEST CINEMATOGRAPHY - SHORT FILM,BEST FIRST SHORT FILM | |
Sitting in the Fire | ALEC GOLDBERG, BOSON WANG | Documentary,Feature | United States | Season 1 (2024) | Official Selection | ||
Small Things | Angela Andronache | Short | 12 | United States | Season 2 (2025) | Official Selection | |
Snakes & Ladders | Short,Student | 10 | Iran | Season 2 (2025) | Official Selection | ||
Somber Tides | Chantal Caron | Documentary,Experimental,Short | 12 | Canada | Season 3 (2026) | Official Selection | |
Some Kind of Justice | Brian Jervay | Feature | 109 | United States | Season 2 (2025) | BEST DIRECTOR FEATURE FILM,BEST SUPPORTING ACTOR | |
Somewhere Confidential | Casey Siegel | Feature | 105 | United States | Season 2 (2025) | BEST ORIGINAL SCORE - FEATURE | |
Soraya | Maryam Rahimi | Short | Iran | Season 1 (2024) | Official Selection | ||
Spoken For-The Movie | Jean-Yves "Jeeve" Ducornet | Animation,Experimental,Feature,Music Video,Other | 56 | United States | Season 3 (2026) | Honorable Mention | |
Spooky Crew | Erin Broussard | Short | United States | Season 1 (2024) | Official Selection | ||
Suerte de Matar (The Act of Death) | Diego Rocha | Short | 16 | United States | Season 2 (2025) | Official Selection | |
THE Amazing Kitsuverse | Leo Neumann | Animation,Short,Student | 6 | Germany | Season 3 (2026) | Official Selection | |
Take your space | Karolína Alvarez | Documentary | 77 | Czechia | Season 1 (2024) | BEST DIRECTOR - DOCUMENTARY FEATURE FILM | |
The Abyss | Andres Aloi | Experimental,Short,Web / New Media | 10 | Argentina | Season 2 (2025) | BI-MONTHLY BEST EXPERIMENTAL SHORT | |
The Ale | Adrian Eppel | Experimental,Short | 2 | Australia | Season 3 (2026) | BEST MICRO SHORT | |
The Annoyed | Mehdi Fard Ghaderi | Feature | 85 | Iran | Season 1 (2024) | BEST VISIONARY DIRECTOR - FEATURE FILM,BEST ACTOR - FEATURE FILM | |
The Brattt | Valeriy Pereverzev | Feature | 116 | Russian Federation | Season 2 (2025) | BEST EDITING - FEATURE FILM,STEVE PHILLIPS AWARD FOR BEST SOUND DESIGN,BEST EXPERIMENTAL FEATURE FILM | |
The Color Of Exile | AZLARABE ALAOUI | Feature | 90 | Côte d'Ivoire,France,Morocco | Season 3 (2026) | BEST CINEMATOGRAPHY - FEATURE FILM | |
The Dog, my father and us. | Pablo Arturo Suárez | Feature | 90 | Ecuador | Season 3 (2026) | BEST CULTURAL FEATURE FILM | |
The Elephants of Avalon Beach | Jae Morrison | Documentary,Experimental,Music Video,Short | 4 | Australia | Season 2 (2025) | Official Selection | |
The End was just The Beginning | Antonio Aleixo | Short | 17 | Portugal | Season 2 (2025) | BI-MONTHLY BEST SHORT FILM | |
The Escence of the Guaguancó | Jairo Valeria Mosqueira | Music Video | 11 | Belgium | Season 1 (2024) | BEST CULTURAL MUSIC VIDEO | |
The Family Photo | John Norris Ray, Maria Victoria Sanchez | Animation | 9 | United States | Season 3 (2026) | BEST FAMILY FILM | |
The Food That Fuels | Life's Interpretaion, Ed Porter | Documentary,Short | 25 | United States | Season 2 (2025) | Official Selection | |
The Fries Rebellion | Documentary,Short | United States | Season 2 (2025) | BI-MONTHLY BEST SHORT FILM,BEST DIRECTOR SHORT FILM | |||
The Future with Us | Experimental,Short,Other | 2 | China | Season 3 (2026) | Official Selection | ||
The Girl Who Faded Away | Brent Heise | Music Video,Short | 6 | United States | Season 1 (2024) | BEST VISIONARY DIRECTOR - MUSIC VIDEO | |
The Girl from the wood | Alexander Mulumbator Ovsyankin | Animation,Experimental,Short,Web / New Media | 3 | Russian Federation | Season 2 (2025) | Official Selection | |
The Graceless Age: The Ballad of John Murry | Sarah Share | Documentary | 89 | Ireland | Season 2 (2025) | BI-MONTHLY BEST DOCUMENTARY,BEST ORIGINAL SCORE - DOCUMENTARY FILM | |
The Last Day Of All | Bryan Muñoz Caballero | Narrative Short | 14 | Mexico | PAIFF Season 4 (2027) | Official Selection,BI-MONTHLY SUMMER BEST STUDENT FILM | |
The Last Gunfight... yet! | Pablo Tréhin-Marçot | Animation,Short | 3 | France | Season 2 (2025) | Official Selection | |
The Life of DAE-VEE Six - a seven sigma space story | JD McWilliams | Short | 12 | United States | Season 3 (2026) | Official Selection | |
The Little Ancestor | Alexa Tremblay-Francoeur | Animation,Documentary,Short | 11 | Canada | Season 3 (2026) | Official Selection | |
The Little Things That Run The World | Doug Hawes-Davis | Documentary,Feature,Other | 105 | United States | Season 3 (2026) | Honorable Mention | |
The Magician | Mathieu Gauvreau | Short,Student | 18 | Canada | Season 3 (2026) | Official Selection | |
The Michoacan File | Bernardo Arsuaga | Documentary | 91 | Mexico | Season 2 (2025) | BI-MONTHLY BEST DOCUMENTARY,BEST DIRECTOR - DOCUMENTARY FEATURE FILM,BEST EDITING - DOCUMENTARY FEATURE | |
The Mythological Serpent | Miguel Gleason | Animation,Short | 2 | Mexico | Season 3 (2026) | Official Selection | |
The Nightmare of the Running Ones | Ivan Kashlakov | Animation,Experimental,Short | 2 | Bulgaria | Season 2 (2025) | Official Selection | |
The Ninth Order | Nick John A'Hern | Feature | 112 | Australia | Season 2 (2025) | BI-MONTHLY BEST FEATURE | |
The Power of One | Alex Valdez, Pablo De la Fuente | Documentary,Feature | 54 | Colombia,United States | Season 2 (2025) | AUDIENCE CHOICE AWARD,BEST TRAILER,BEST DOCUMENTARY FEATURE FILM | |
The Premiere | Jon Silver | Feature | 81 | United States | Season 2 (2025) | Honorable Mention | |
The Reach | Luca Caserta | Short | 28 | Italy | Season 3 (2026) | BEST SHORT FILM,BEST ACTRESS - SHORT FILM | |
The Reencounter. 500 years Moctezuma and Cortés | Miguel Gleason | Documentary | 100 | Mexico | Season 3 (2026) | Official Selection | |
The Rivals | Fraser James MacLeod | Short | 25 | Sweden | Season 3 (2026) | Official Selection | |
The Series 10K | Dan Hertzog | Animation | 6 | United States | Season 3 (2026) | BEST ANIMATION SHORT | |
The Shell | Marco Santos | Short,Student | 6 | Portugal | Season 3 (2026) | Official Selection | |
The Silver Lining | Mikey Altoft | Short | 25 | United Kingdom | Season 2 (2025) | Official Selection | |
The Space Between Attack and Decay | Jessica Kourkounis | Experimental,Short | 29 | United States | Season 3 (2026) | BEST EXPERIMENTAL SHORT,BEST VISIONARY DIRECTOR - SHORT FILM,BEST ACTOR - SHORT FILM | |
The Story of a Colorful Day | Mahmood Arib | Experimental,Short | 11 | Iran | Season 2 (2025) | Official Selection | |
The Train & the Peninsula | Sky Richards, Andreas Kruger Foncerrada | Documentary,Feature | 88 | Mexico | Season 1 (2024) | BEST EDITING - DOCUMENTARY FEATURE | |
The Uncuttable | Aksath | Animation | 7 | China | PAIFF Season 4 (2027) | Official Selection,BI-MONTHLY BEST STUDENT ANIMATION | |
The Unfixing | Nicole Betancourt | Documentary | 87 | Spain,United States | Season 3 (2026) | BEST EDITING - DOCUMENTARY FEATURE | |
The Uvalde Love Project | Dacia Saenz | Documentary,Experimental,Short,Web / New Media | 8 | United States | Season 2 (2025) | Honorable Mention | |
The volcano and the baby | Danielle Jaeggi | Short | Switzerland | Season 1 (2024) | Official Selection | ||
They Don't Now Im Coming | Jonathan Morales Searles | Music Video | Not Specified | Season 1 (2024) | Official Selection | ||
This is how the Mexican Revolution began | Nurh Elizabeth Trejo Aguilar | Documentary,Student | 5 | Mexico | Season 3 (2026) | BEST YOUNG FILMMAKER'S AWARD | |
To Fly | Mohsen Khademi | Short | 15 | Iran | Season 3 (2026) | Official Selection | |
Under Cover | Guillaume Arnoulet | Short | New Zealand | Season 1 (2024) | Official Selection | ||
Underneath | Matthew James Bissett-Johnson | Animation,Experimental | 2 | Australia | Season 3 (2026) | Official Selection | |
Unspoken | MACIEJ ADAMEK | Documentary | 52 | Poland | Season 2 (2025) | Official Selection | |
Unwind | Jake Sauve | Music Video | Canada | Season 1 (2024) | BEST CINEMATOGRAPHY - MUSIC VIDEO | ||
Vance and the Afterlife | Sam Kimbrell | Short | United States | Season 1 (2024) | Official Selection | ||
Vas Mar | Nima Tabandeh | Short | 19 | Iran | Season 3 (2026) | Official Selection | |
Voices of the Mayan Jungle: A Battle for Life | Benjamin Soto and Carlos Samayo | Documentary Feature | 50 | Mexico | PAIFF Season 2 (2025) | BEST DOCUMENTARY SHORT FILM,BEST CULTURAL DOCUMENTARY | |
Vortex | Chris Tangey | Documentary,Music Video,Short | Australia | Season 1 (2024) | Official Selection | ||
Welcome to Vegas | Hae Sun Hong | Feature | 82 | United States | Season 3 (2026) | BI-MONTHLY BEST FEATURE | |
What's the Deal | Constanza E. Godoy, Brett W. Vance | Music Video | 3 | United States | PAIFF Season 1 (2024) | BEST SOUND DESIGN - MUSIC VIDEO | |
Who is God? | Oscar Adan Lopez Parres | Animation,Experimental,Music Video,Short,Other | Mexico | Season 1 (2024) | Official Selection | ||
Wild Fire | GuoKai | Narrative Short | 20 | China | PAIFF Season 4 (2027) | Official Selection,BI-MONTHLY SUMMER BEST NARRATIVE SHORT | |
Xpendable | Walter Ernest Haussner | Short | 30 | United States | Season 3 (2026) | BEST FILM NOIR SHORT | |
You Think Although You Are Not | SALAHEDDIN NOORI | Short | Iran | Season 1 (2024) | Official Selection | ||
the transience | ipek shahbazi, ario motevaghe | Short | Iran | Season 1 (2024) | Official Selection | ||
Żubr - Here Be Giants | GILES PITMAN | Documentary,Short | 29 | United Kingdom | Season 3 (2026) | BEST FIRST DOCUMENTARY SHORT FILM,BEST VERITE DOCUMENTARY SHORT FILM |
Title | Director | Poster | Image Alt Text | Runtime Minutes | Synopsis | Current Season | Publicly Announced | Bi-Monthly Award Recipient | Selection Round | Annual Award Winner | Honorable Mention | Featured / Highlight |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
Okhaldhunga | Marcel Weiß | 71 | "Okhaldhunga" tells the story of a couple of young people coming together to build a school in the very rural area of Okhaldhunga, Nepal. However, on a deeper level, it is also a thought process to find purpose in life, to see that opening up and sharing love is only giving it back to you as well. | No | No | No | No | No | No | |||
Old Death | Kyle Garrett | 7 | The music video for the highly anticipated debut single from Car Colors (the new project from Charles Bissell, formerly of The Wrens), “Old Death."
“Old Death” – both the song and music video – ruminates on time, how one chooses to spend it, and what those choices cost. Set within the evocative framework of an old, detuned portable television, Charles Bissell (aka Car Colors) broadcasts a poignant exploration of music, memory, and mortality. The video captures the emotional depth and introspection of Bissell's journey, creating a powerful and solitary reflection on the passage of time. | No | No | No | No | No | No | |||
Orange Cove | John Lockmer | 12 | Craig hires film restoration artist Gracey to restore precious footage shot at his late grandparents' ranch. When Craig begins recounting increasingly bizarre and strange encounters with Gracey to his coworkers and friends, those around him start to question what's really happening. As the restoration project continues, Craig must confront uncomfortable truths about himself and his past. A lighthearted story that explores how we process grief, trauma, and the stories we tell ourselves to make sense of our lives. | No | No | No | No | No | No | |||
Out of the Picture | Mary Louise Schumacher | 98 | "Out of the Picture" takes us inside the lives of some of the most relevant writers on art today, thinkers who are making sense of a period of unprecedented change to art, media and society. "Out of the Picture" is the first feature-length documentary to be made in the U.S. about one of the art world’s most mysterious figures – the art critic.
For more than a decade, we have turned our cameras on critics navigating rapidly changing art and media landscapes, writers such as Carolina Miranda, of the Los Angeles Times; Hrag Vartanian, of Hyperallergic; Jen Graves of The Stranger; Jeneé Osterheldt of The Boston Globe; and Seph Rodney, independent critic. We have conducted interviews with powerful art world personalities, such as artist Catherine Opie; author Sarah Thornton; and critics Roberta Smith, Jerry Saltz, and Peter Schjeldahl.
We’ve also rooted our work in deep reporting. While a Nieman Fellow at Harvard, director Mary Louise Schumacher led a national survey of more than 300 arts writers across the U.S., revealing new facts about the art world’s power structures. "Out of the Picture" is poised to prompt a national conversation about the nature of art, modern life, and how meaning gets made in the 21st century. | No | No | No | No | No | No | |||
Over the Moon: My Adventures Dealing with Cults | Michael A Smith, Ted E Haynes | 65 | Cults continue to ruin lives and rip families apart. This documentary - deep in post production with a mid-February completion date - highlights the personal sacrifices the subject made in the late 70s-early 80s, often at risk of death and incarceration, to kidnap and deprogram brain-washed young adults. | No | No | No | No | No | No | |||
Parasomnia | Daniel Noblom Gibert | No | No | No | No | No | No | |||||
PeriPerseu | Stella Brajterman | 5 | The second part of the film trilogy "Icor " based on greek myths. PeriPerseu is a visual poem about Perseus and his mother Danae: the body of a Mother as a vessel for another life come to the world. | No | No | No | No | No | No | |||
Piggy Duster | Jesse Stewart | 91 | On a rocky camping trip at 10,000 feet, a teenage girl and her step-father struggle to repair their fractured relationship when they're interrupted by a curious grizzly bear. | No | No | Yes | Yes | No | No | |||
Planet of Rust | George Merabishvili | No | No | No | No | No | No | |||||
Poyyamozhi | Sudhi Anna | 99 | Poyyamozi trails Jayson, a runaway trying to find in a mysterious
woods alongside Chachan. Initially given direction by Chachan,
Jayson's journey takes a dark turn as Chachan unveils vengeful intents.
Ultimately, Jayson confronts a startling truth, culminating in a gunshot
resounding through the woods!"
| No | No | No | No | No | No | |||
Prayer of the Sea | Martin Gerigk | 7 | A composer recounts a dream from his youth that inspired the slow movement of his first string quartet, Prayer of the Sea. The dream, depicting a peaceful dissolution into the sea and wind, symbolized his future death. Decades later, rediscovering a drawing from the quartet's premiere - perfectly capturing the dream’s essence - revived its emotions. Now older, he reflects on the dream’s message: a serene acceptance of life’s inevitable end.
Prayer of the Sea is an audiovisual elegy offering a calm perspective on the universal experience of passing. | No | No | No | No | No | No | |||
Public Phone | Mois Roditi Haydenblit | No | No | No | No | No | No | |||||
Quarantine | 20 | No | No | No | No | No | No | |||||
R.d.Cane...'52 Thursdays' | R.d Cane | 24 | R.d.Cane is an Artist, Photographer and Musician...'52 Thursdays' is a collaboration of his talents, assembled as a distraction from a full year of Cancer treatments...It worked!!.. | No | No | No | No | No | No | |||
Rag Dolls | Amy Adler | 12 | Two women living with disabilities in Mexico face challenges, yet find ways to love and care for each other. | No | No | No | No | No | No | |||
Reflection short film | Maedeh Abdi | 4 |
A young boy becomes a few by donating his organs | No | No | No | No | No | No | |||
Return of the Black Madonna | KERRA BOLTON | 15 | Black bodies rocking against splintered wood in the hull of a slave ship. Sharks following at a hungry distance. A trail of blood in the water connects Africa to the Americas. Images of her ancestors haunted independent journalist and filmmaker, Kerra Bolton, until she decided to heed their call at the bottom of the ocean. But there's one thing she had to do first -- learn to swim. | No | No | No | No | No | No | |||
Robofauna | Gerardo Escudero Samara | 4 | In a world that once thrived with the vibrant symphony of nature, humans lived in harmony with animals and the natural environment. However, as time passed and society's relentless advancement continued, this harmony was shattered. Unchecked development brought environmental destruction, rampant pollution, and the mass extinction of species. Ecosystems that once flourished turned into desolate wastelands, and the primal connection between humans and nature was lost in the fog of progress.
In a desperate bid to correct the mistakes of the past, humanity turned to technology and innovation, giving rise to the concept of Robo-Fauna. These robotic animals, created with advanced artificial intelligence, were designed to restore the lost balance. Robotic birds now pollinate flowers that insects can no longer reach, while robotic fish patrol the oceans, keeping marine pests at bay.
In this new and fragile equilibrium, technology and nature have found a way to coexist peacefully. Robots collaborate with scientists to protect the dwindling natural resources and heal the ravaged lands. The coexistence between animals and robots is so harmonious that it is often forgotten that they belong to different worlds.
The story of this world is a testament to the resilience and adaptability of life. It serves as a reminder that, although humanity may have erred, there is always hope for redemption. In this renewed world, technology and nature have joined forces to create a more sustainable and prosperous future, demonstrating that it is possible to amend the past and forge a path toward harmony. | No | No | No | No | No | No | |||
Roswell Delirium | Richard Bakewell | 110 | During the 1980s the US is hit by a wave of nuclear attacks, and after the fallout those who remain pretend like everything is normal even though they are all experiencing radiation poisoning. A young girl named Mayday tries to make contact on a series of ham radios with her father who is in space on a shuttle mission. Instead of making contact she receives a intergalactic distress call from space that leads her on a journey to Spacerock, the land where Area 51 once was. She is exposed to severe levels of radiation and within days all of her organs start to fail. Knowing that medical treatment won't help her mother Wendy brings her back to Spacerock to give her to the aliens in hopes that they may be able to save her. | No | No | No | Yes | No | No | |||
Sahara - End Of Trip | Antonio Rodríguez Cabal | 129 | No | No | No | No | No | No | ||||
Sargassum | Claude Barnes | 90 | In the vast Atlantic ocean, a mysterious and vital ecosystem floats and thrives, vital at sea but disastrous on shore—the Sargassum seaweed. Sargassum is a visually captivating 90 min documentary that uncovers the seaweed's ecological significance and the intricate relationships it holds with marine life and humanity. Experts shed light on the critical role Sargassum plays in marine biodiversity, acting as a nursery and a sanctuary in the open ocean. However, the documentary takes a poignant turn as it investigates the alarming proliferation of Sargassum, particularly in the Caribbean and southern US. Once a symbol of ecological balance, Sargassum has now become an environmental menace, overwhelming coastlines and disrupting local economies.
| No | No | No | No | No | No | |||
Saving Walden's World | James S Merkel, Deborah Shaffer | 89 | “As a former engineer working on weapons, his words have a special power.”
-- Howard Zinn, Historian
THE FILM
When a young arms dealer discovers his work is harming families in less affluent societies, he has an ethical crisis and begins a decades-long journey to redeem himself and make the world a better place. SAVING WALDEN’S WORLD is a revealing new film following Jim Merkel as he raises Walden, a budding scientist, in an off-the-grid homestead and wonders: could the very people his past-life’s work targeted, hold the keys to a sustainable planet?
A journey into “enemy” territory ensues, meeting powerful women who reshape society to work for all. Far from affluent utopias, Kerala, Cuba and Slovenia offer women free college, access to contraception, maternity leave, childcare, dentistry and healthcare. Services unimaginable in much of Jim’s blue-collar America.
As earth temperatures soar, the stakes couldn’t get higher.
WHY THIS FILM
Immerse yourself in this intimate father-son exploration of a global shift, where personal and collective decisions about procreation and consumption ripple through generations, resulting in fewer yet healthier children. Land reform and literacy movements offered a route out of poverty. Our inspiring film spotlights the dividends of decades of policies towards social justice.
As population pressures ease driven by the empowerment of women and education, we encounter a stark reality. Many nations are manipulated by a fear of economic decline and attempt to coerce more consumption and births. Could this jeopardize the very progress women are making towards averting the 6th extinction? | No | No | No | No | No | No | |||
Searching For That Sea | Xavier Guàrdia | 4 | The Spanish Band CRUDEZAS in a recording studio right in the midst of the creative process of Buscando ese Mar (Searching for that Sea). Main song for the soundtrack of documentary feature RUTA AL PARAÍSO. | No | No | No | No | No | No | |||
Shield. The living wall of the Caribbean | Mario Cuesta Hernando | 80 | As hurricanes and droughts in the Caribbean region have become more frequent and devastating, only mangroves and coral reefs can stand against these events, saving lives and property. Unfortunately, climate change and human activity are weakening these ecosystems. Will coastal communities and scientists be able to save them before it’s too late? | No | No | No | No | No | No | |||
Shot! | 4 | No | No | No | No | No | No | |||||
Shrouded Destiny: A Star Wars Long Tale - Part 1 of 3 | Shahbaz Sarwar | 30 | 500 years before the Clone Wars the Galactic Republic builds "The Citadel", which is a maximum security facility designed to keep "Rogue Jedi" imprisoned. Rogue Jedi all over the galaxy are being located and brought back. This is the story of one of these retrievals.
Starring world-renowned Danish actor, Lars Mikkelsen. | No | No | No | No | No | No | |||
Sitting in the Fire | ALEC GOLDBERG, BOSON WANG | No | No | No | No | No | No | |||||
Small Things | Angela Andronache | 12 | A regular day turns into a nightmare for 25-year-old struggling artist Sarah, who can't sleep because her mind is full of thoughts, worries, and ideas. Every sound seems louder, and strange noises fill her home. As her anxiety grows, she becomes both scared and curious, eventually noticing something unexpected outside her door. This mystery pushes her to face the unknown in the night, leading to one unwavering surprise.
OVERALL FILM MESSAGE:
"SMALL THINGS" sends a strong message about the fears that arise from our inner struggles, focusing on the loneliness, worries, and search for meaning that many of us quietly face. It also uncovers the personal conflicts and discomforts hidden behind our smiles.
This short film highlights the often overlooked and annoying parts of daily life, showing how small worries can quickly grow out of proportion. Through a mix of dark humor and simple insights, it reveals how even the tiniest things can disturb us, while reminding us, to keep things in perspective. The film encourages viewers to find humor and strength in life's chaos, reminding us that not all"SMALL THINGS" truly matter. | No | No | No | No | No | No | |||
Snakes & Ladders | 10 | The child who becomes the victim of Marpele play and the events that take place meanwhile | No | No | No | No | No | No | ||||
Somber Tides | Chantal Caron | 12 | SOMBER TIDES a cry from the species, startled into survival against the elements. One last breath before being trampled by the Earth or maybe conversely a battle to wage against winds and tides clutching on before extinction. | No | No | No | No | No | No | |||
Some Kind of Justice | Brian Jervay | 109 | Gerald’s world shatters when his only child is senselessly murdered. With no witnesses and the police at a dead end, he joins forces with another grieving father to hunt down those responsible to make them pay. | No | No | No | No | No | No | |||
Somewhere Confidential | Casey Siegel | 105 | "Somewhere Confidential" is a darkly comedic film noir that plunges viewers into the twisted world of detective Guthrie Hayward. As he spirals through a labyrinth of vice and deceit, his unconventional allies include a loyal dingo accountant, his drug-addled siblings, and an enigmatic Mennonite with possibly mystical abilities. With danger lurking at every corner and a cryptic conspiracy pushing society to its limits, Guthrie must navigate treacherous waters to crack the case and make a clean getaway. | No | No | No | No | No | No | |||
Soraya | Maryam Rahimi | No | No | No | No | No | No | |||||
Spoken For-The Movie | Jean-Yves "Jeeve" Ducornet | 56 | Two years in the making, Spoken For is more than an album. It’s a 12-part visual odyssey, each track paired with its own ethically AI-animated film. Blending music, cinema, and generative art, the project charts a journey through inherited trauma, creative struggle, fleeting love, and ultimate rebirth. | No | No | No | No | No | No | |||
Spooky Crew | Erin Broussard | No | No | No | No | No | No | |||||
Suerte de Matar (The Act of Death) | Diego Rocha | 16 | As Esteban prepares for his bullfighting induction, he must decide between his love for a flamenco dancer and his imminent glory in the arena. | No | No | No | No | No | No | |||
THE Amazing Kitsuverse | Leo Neumann | 6 | An old lady gets seduced by a cunning little fox to follow him into a magical place where ANYTHING can be achieved with a clap of your hands. But doing so has unforeseen consequences. A film made by humans, trying to integrate supportive Machine Learning in the production without replacing any creative tasks. | No | No | No | No | No | No | |||
Take your space | Karolína Alvarez | 77 | The first feature-length documentary on Mexican urban art and graffiti was shot over the course of four years without any financial support from institutions. It is based on the coexistence of the community of Mexican urban artists, is independent and one hundred percent free in its expression. It also extends to the other branches of Mexican hiphop and skateboarding. The documentary familiarizes us with the development of the movement from its beginnings to the present day with a focus on its essence of rebellion and resistance. It presents urban arts as a path of freedom and independence of an individual, who is confronting the global power of the capitalist system and its attempt to invade our lives and the way we behave. The film also points to the characteristic feature of Mexican counterculture in relation to the resistance of native cultures. | No | No | No | No | No | No | |||
The Abyss | Andres Aloi | 10 | Iris, a wheelchair-bound young woman, is recruited into testing a cutting-edge device that hijacks the mind and induces vivid dreams. As she assesses a prototype that is as dangerous as it is revolutionary, Iris struggles to accept her physical reality. | No | No | No | No | No | No | |||
The Ale | Adrian Eppel | 2 | Heartbroken and nursing a pint in a Melbourne bar, Sam just wants to be left alone. Then his three mates show up and throw the place into chaos. It’s a mess… and exactly what he needs.
A surrealist outing, inspired by the absurdity of Monty Python and the emotional honesty of beer with your mates. | No | No | No | No | No | No | |||
The Annoyed | Mehdi Fard Ghaderi | 85 | Episodic Movie about Three Iranian Directors that trying to make a film about social problems and abuse against women and executions.
The first director wants to emigrate, but learns that his lead actor is being executed, so decides to make a film about the execution.
The second director wants to make a film about abused women but is opposed by her husband.
The third director is informed by his doctor that he has cancer and wants to make the last film of his life.
Each director’s story is focused on a different genre, story and covers a different generation. | No | No | No | No | No | No | |||
The Brattt | Valeriy Pereverzev | 116 | A story full of twists and layers, where a couple of unlucky robbers, a general's daughter and her street artist boyfriend, and a gang of mercenaries all meet on the streets of the Russian city of Tambov. The film consists of five interwoven yet self-sufficient novellas, each with its own plot yet a part of the bigger picture. | No | No | No | No | No | No | |||
The Color Of Exile | AZLARABE ALAOUI | 90 | In a remote Senegalese village, Ousmane, a young albino, faces daily insults and threats fueled by deep-rooted superstitions. Driven by the promise of a better life, they venture into the vast desert. Under a relentless sun, mother and son draw strength from their unwavering bond to keep going. With each dune they cross, new dangers arise: dehydration, exhaustion, and the growing menace of ruthless smugglers.
Their journey takes them across the desert, through Moroccan spiritual brotherhoods, and into the perils of crossing into Europe. This vibrant narrative invites reflection on the human condition and on each individual’s place in a constantly evolving world, where difference can be a source of rejection or shared enrichment. | No | No | No | No | No | No | |||
The Dog, my father and us. | Pablo Arturo Suárez | 90 | Sebastian, an architect going through a mid-life crisis at age 45, is fired from his job as a university professor for having a romantic relationship with a student. Unemployed, he attempts to regain control of his life which he seems to have lost long ago. In his house, the situation is chaotic: his father almost died of a heart attack and is addicted to pornography, his marriage fades into routine, his son wants to drop out of school to become a youtuber and his dog is living out his last days. When the task of putting everything in order already seems colossal, his brother arrives from a trip and asks for his inheritance, stirring old family resentments. | No | No | No | No | No | No | |||
The Elephants of Avalon Beach | Jae Morrison | 4 | This is a true story. When the Circus visited Avalon Beach, their Elephants grazed on the sand dunes. | No | No | No | No | No | No | |||
The End was just The Beginning | Antonio Aleixo | 17 | When Catarina finds out that she is pregnant, she questions the responsibility and consequences of bringing a child into this world and age. | No | No | No | No | No | No | |||
The Escence of the Guaguancó | Jairo Valeria Mosqueira | 11 | Fernando, the singer of Skala B, comes home from a concert, at 4 o'clock in the morning. After falling asleep, Elegua, the saint that meddles with the peolple's destiny, takes him on a journey. This movie is a tribute to the Orishas from Cuba and especially to Celeste Mendoza, the best representative of the rumba and the guaguancó, the cuban rythm. | No | No | No | No | No | No | |||
The Family Photo | John Norris Ray, Maria Victoria Sanchez | 9 | What happened after an Earth astronaut left a family photo on the moon fifty-plus years ago? This animated short explores the butterfly effect of such an action. How will it affect us all? | No | No | No | No | No | No | |||
The Food That Fuels | Life's Interpretaion, Ed Porter | 25 | “The Food That Fuels” is a compelling short film that spotlights the San Joaquin Valley’s vital contribution to global food production. Through the voices of diverse local farmers, the film paints a vivid picture of the region's rich agricultural heritage and underscores UC Merced's deep-rooted connection to it. It calls for a forward-thinking commitment to preserving and nurturing the Valley’s legacy for future generations. | No | No | No | No | No | No | |||
The Fries Rebellion | After moving to Pennsylvania's Lehigh Valley, a teenage schoolgirl struggles with a local history report until she experiences immersive visions of the 1798-99 tax revolt first hand. | No | No | No | No | No | No | |||||
The Future with Us | 2 | Creative Statement
The film focuses on traditional Chinese opera, Tai Chi, calligraphy, embroidery and other intangible cultural heritage, explores the inheritance dilemma in modern society, and thinks about how to balance the development of traditional culture and future technology.
The film begins with a candle, which symbolizes the origin of civilization, reflecting the characters in intact traditional costumes, which is in sharp contrast with the dilapidated urban background. Although traditional culture has faded out of the mainstream vision, its spirit is still sticking.
However, in the face of the wave of technological development, traditional culture gradually compromised and was eventually replaced by emotionless technology. The picture is gradually compressed and presents a sense of suffocation, which directly expresses that traditional culture has disappeared in the torrent of technology. At the end, it returns to the candle, leaving an open reflection on the future: is it extinction or hope? | No | No | No | No | No | No | ||||
The Girl Who Faded Away | Brent Heise | 6 | The search for love happens in a place where angels fear to tread.
A man is walking on the edge of deep woods, holding an old wooden case. A white owl in the trees takes notice of him and swoops down. In a puff of smoke the owl transforms and becomes a beautiful female apparition. The “Girl” warns him against going further in these woods. The man stops and he sets his wood case on a fallen tree trunk. He opens it. Inside is an old fashioned turntable, a wind-up phonograph he cranks before carefully placing the needle on an old, black vinyl record.
The music crackles and plays and a story unfolds. He experiences a vision: he is approaching an exotic country estate with its entranceway resembling an exotic, metal bird cage. He’s there and he steps in and sees the Girl waiting for him. He pursues her, but she is always one step ahead, able to disappear by magic, or secretly walking behind him, uncatchable. Finally, the man is able to engage her in just one loving dance with the song that is still playing. But the beautiful apparition suddenly pulls away, fading away into thin air. And just as the music fades she deserts him.
The vision gone, there at the edge of the woods, the man, abandoned by love, begins his long trek into his lonely future, literally, into his sunset with many miles ahead of him. As he departs into the stormy dark cloud fields, the owl screeches from her nest above the man. Abandoned by the man, the owl transforms one last time to the Girl Who Faded Away. She stands where the man stood, looking at him as he journeys forever away, a tear on her cheek, and mourning forever his departure. | No | No | No | No | No | No | |||
The Girl from the wood | Alexander Mulumbator Ovsyankin | 3 | “The Girl from the wood”.
This AI video project was created for the social initiative "Podvigi," which tells the stories of heroic acts by ordinary people.
We were inspired by the fairy tales from the series "Magical Tales of Child Heroes," based on the real-life heroic deeds of children, and created an AI-animated film. The main idea of the video is to show young children the heroic example of a 3-year-old girl who survived in the forest for 12 days: how to stay calm, fight for survival, and believe in a happy ending. This animated story is meant to warn children against impulsive actions, give them important advice, and inspire them to believe in themselves!
The video is stylistically divided into two parts: a fairy tale told by a grandmother to her granddaughter and real-life events. The following AI were used in the production: Midjourney, Runway, Kling, Suno.
Video: https://www.youtube.com/watch?v=lbu5BInr3Y0 | No | No | No | No | No | No | |||
The Graceless Age: The Ballad of John Murry | Sarah Share | 89 | This is the story of American singer songwriter John Murry who was on the cusp of greatness after the release of his highly acclaimed album The Graceless Age (2013) when his world fell apart. Addicted to heroin, creatively exhausted, he washed up on the shores of Ireland a broken man. Now, he is ready to retrace his steps back to Mississippi into the dark heart of American life and face his demons– a difficult childhood, traumatic assault and resulting years of opioid addiction. This documentary follows John as he embarks on a road trip that takes him from his haven in Ireland to his native Mississippi. The film culminates with John travelling to Toronto to rekindle his creative collaboration with Canadian music legend Mike Timmins, who produced his album “A Short History of Decay”. Mike helps John express himself the best way he can - through his outstanding music.This beautiful documentary charts his journey from near death to redemption and a new zest for life and art. | No | No | No | No | No | No | |||
The Last Day Of All | Bryan Muñoz Caballero | 14 | Before leaving the city, Aldo decides to meet up with two old school friends on his last day of summer vacation; Hugo and Mar join him on his trip with the mission of developing a roll of film containing several memories together, facing the new and unknown people they are now, but Aldo will also finally reveal the feelings he had hidden when he reunites with Mar.
STARRING ANNA DIAZ, DIEGO ALAMILLO, DAVID VACA | Yes | Yes | Yes | No | No | No | |||
The Last Gunfight... yet! | Pablo Tréhin-Marçot | 3 | Over 100 International selections and prizes !
The Far West, its merciless universe, its heroes from another time... Main Street under a blazing sun. Two creatures face off in a duel under the wide-eyed gaze of bystanders and of the sheriff. It's the last gunfight... yet!
"Suspenseful & Funny" The Wellington Film Festival | No | No | No | No | No | No | |||
The Life of DAE-VEE Six - a seven sigma space story | JD McWilliams | 12 | In this cerebral sci-fi horror film — brought to you by GlideSpin, you could race with something else, but dont™ — a malfunctioning android stranded on a doomed planet is repeating the same 2-kilometer route while its life story is told from the human brain inside_
See it with someone you trust_
Point Zeroes not allowed in the theatre_ | No | No | No | No | No | No | |||
The Little Ancestor | Alexa Tremblay-Francoeur | 11 | On a windswept hill, in a place still young and devoid of all life, an ancestral house builds itself. The house comes to life and unveils its long life of one hundred and fifty years. Brick by brick and beam by beam, each action, big or small, shows life. Over the years, it leads us to feel the passage of time, the transformations of its surroundings and its vulnerability in the face of the unstoppable frenzy of our urban growth. The house evolves quietly in the heart of a growing and buzzing city that will eventually bring its end. | No | No | No | No | No | No | |||
The Little Things That Run The World | Doug Hawes-Davis | 105 | THE LITTLE THINGS THAT RUN THE WORLD introduces viewers to a diverse group of scientists, nature lovers, gardeners, farmers, and general bug enthusiasts in exploring the importance of flying insects amid rapid declines in their numbers. This most numerous group of animals on the planet by far - three quarters of all species - have also been called the “glue of life” on Earth. They literally hold ecosystems together. Insects were the first animals to evolve flight nearly 440 million years ago, and they survived all five of the known mass extinctions since then. But, there is evidence that the pace of decline among insects in parts of the world today is fast approaching the levels of previous catastrophes. What this means for the rest of life on Earth, including humans, is the focus of THE LITTLE THINGS THAT RUN THE WORLD. The film documents the mysteries of the declines along side creative and heroic human efforts to change the course of evolutionary history. What is causing this extinction crisis? What can be done to reverse the trend? THE LITTLE THINGS THAT RUN THE WORLD attempts to find answers to those questions and more. | No | No | No | No | No | No | |||
The Magician | Mathieu Gauvreau | 18 | A magician must save the struggling venue he works in. As he secretly posseses real magical powers, he must choose between following his passion for sleight of hands or the cheap thrills of his powers.
| No | No | No | No | No | No | |||
The Michoacan File | Bernardo Arsuaga | 91 | The story on how Mexican cuisine became World Heritage. | No | No | No | No | No | No | |||
The Mythological Serpent | Miguel Gleason | 2 | Legends or historical facts? A group of strangers can cooperate successfully if they believe in common myths. Certainly the secret was the appearance of fiction. Yuval Noah Harari phrases. Two such different civilizations surely have different myths.
| No | No | No | No | No | No | |||
The Nightmare of the Running Ones | Ivan Kashlakov | 2 | "The Running Ones" is a symbiosis between art and personal stories of people fleeing terror, war, political repression and persecution. | No | No | No | No | No | No | |||
The Ninth Order | Nick John A'Hern | 112 | When Jada's estranged father is found brutally murdered, her ordinary teenage life is shattered. Now 18 years old , Jada has been like any other girl, navigating fights with her mum, enduring the monotony of school, and eagerly planning a road trip with her best friends, Ashley and Grace. However, her father's mysterious death triggers a series of supernatural events that upend her world.
Jada soon discovers that her father was entangled with a secretive, ancient sect known as The Ninth Order, whose origins trace back to the Knights Templar. As Jada grapples with this shocking revelation, Ashley suddenly goes missing. Determined to find her friend, Jada is drawn deeper into the clandestine world of The Ninth Order, where she uncovers hidden truths about her family's legacy.
In her quest, Jada learns that her father was more than a mere mortal—he was a key figure within The Ninth Order. As she delves further into her father's secret life, she encounters a web of deception, power struggles, and centuries-old prophecies and power.
With the lines between friend and foe increasingly blurred, Jada must navigate this perilous new reality. Her journey becomes one of self-discovery, as she learns about her own potential and the weight of her heritage. To rescue Ashley and uncover the true circumstances of her father's death, Jada must confront her deepest fears and embrace her destiny.
"The Ninth Order" is a gripping tale of redemption and forgiveness, where a young girl must reconcile her past to forge her future, discovering that the key to saving those she loves lies in uncovering the truth about her father's legacy. | No | No | No | No | No | No | |||
The Power of One | Alex Valdez, Pablo De la Fuente | 54 | A team of documentary filmmakers travel to a secret ecological sanctuary deep in the jungles of Colombia, where a conservationist planted 10,000 trees in a deforested field to rebuild an endangered ecosystem. Together, they embark on a mission to tell his inspiring story and realize his dream of turning this area into a proper nature reserve. | No | No | No | No | No | No | |||
The Premiere | Jon Silver | 81 | On the night of his first movie premiere, Jacob Sanders is hounded by mounting issues and paranoid delusions appearing on the screen. Disaster looms at every turn - his family argues, audience members complain, the popcorn machine breaks, and the movie file doesn’t work. All of these problems are exacerbated by the rumored arrival of a famous Actor. Jacob struggles to overcome disaster, all while fending off criticisms, expectations, and disturbing figments of his imagination. | No | No | No | No | No | No | |||
The Reach | Luca Caserta | 28 | Based on a short story by Stephen King.
Featuring the song "Moonlight Motel" by Bruce Springsteen.
On Goat Island, elderly Stella Flanders must confront her past and the Reach that separates the isle from the mainland, in a journey between memories and love that transcends the boundaries of life.
Stella Flanders is the oldest woman on Goat Island. Throughout her life, she has never crossed the Reach that separates the isle from the mainland. She has spent her entire existence in that small, close-knit community that is almost as welcoming as a family and in which she has always had everything she needed. But as a freezing winter descends upon the island, Stella begins to see visions of those she once loved, calling her toward the Reach. Perhaps the time has come for her to embark on that journey she never wished to take... | No | No | No | No | No | No | |||
The Reencounter. 500 years Moctezuma and Cortés | Miguel Gleason | 100 | Mexico is the fusion of 2 cultures represented by the Aztec emperor Moctezuma and the Spanish conqueror Hernán Cortés. The descendants met each other 500 years later, on exactly the same date and in the same place as their ancestors to give each other a reconciliatory hug.
Why is there still, among certain Mexicans, a kind of resentment against the Spanish? And why is there still a kind of disdain for native peoples? | No | No | No | No | No | No | |||
The Rivals | Fraser James MacLeod | 25 | A film of friendship, nostalgia and petty jealousy. When Connor comes to town, it sets William on a dark path of discovery. | No | No | No | No | No | No | |||
The Series 10K | Dan Hertzog | 6 | A strange yet marvelous machine from the Orient arrives in the misty hills of Scotland, programmed to serve hot meat pies to weary workers. Every day, kind-hearted Bert receives his chicken pot pie with unfailing courtesy, while customers like Slim and Master abuse and cheat the machine relentlessly. But deep within its polished frame lies a self-protection subroutine, and the Series Ten Thousand watches, learns, and remembers everything. | No | No | No | No | No | No | |||
The Shell | Marco Santos | 6 | Haunted by the world’s relentless cries, a young woman seeks solace where the sea swallows every sound. | No | No | No | No | No | No | |||
The Silver Lining | Mikey Altoft | 25 | When a tech journalist uncovers the deadly truth behind a revolutionary smartphone, she must confront the powerful heiress behind the company while navigating the perilous consequences of her actions, ultimately leading to a shocking revelation that changes the course of both their lives. | No | No | No | No | No | No | |||
The Space Between Attack and Decay | Jessica Kourkounis | 29 | Logline: A sailing scientist’s strict ritual fractures when a chrome apparition and a radio’s cryptic orders push him across a vast, disjointed expanse toward fragile hope.
Synopsis: Under a gray, emptied sky, the sailboat Revolt Required drifts in slow breath. Its skipper, Ricki Constant, dresses in a black suit and repeats a relentless ritual: dragging a lung-like device across a vast, fractured expanse to inject the remains of tomorrow into the earth. His order collapses when Shiny Sister—a chrome apparition—flickers into view and a radio voice delivers cryptic commands. Purpose dissolves into hallucination as Ricki traverses landscapes that defy logic. Yielding to the irrational, he glimpses a fragile hope within luminous chaos.
| No | No | No | No | No | No | |||
The Story of a Colorful Day | Mahmood Arib | 11 | When the girl is invited to her friend's birthday, she faces a troubling problem, she has to solve it, but how? | No | No | No | No | No | No | |||
The Train & the Peninsula | Sky Richards, Andreas Kruger Foncerrada | 88 | The Train and the Peninsula is an intimate portrait of Mexico's Yucatan Peninsula as the controversial railway megaproject known as the "Mayan Train" is being built. A cinematic journey along the route where the train is projected that takes us on an immersive and epic journey across the peninsula. Through the fascinating stories and reflections of its inhabitants, the documentary exposes the environmental and social consequences of the development model imposed in the region.
The film weaves together a collective narrative through the incisive and transparent testimonies of the inhabitants of the peninsula and reveals a human landscape full of vitality and Mayan wisdom that exposes the clash between different ways of imagining progress. An urgent film that shows the worlds that hide behind the tourist paradise that everyone knows; delving into the ideological and territorial battles that are fought in the ancestral land of the Maya. | No | No | No | No | No | No | |||
The Uncuttable | Aksath | 7 | Yes | Yes | Yes | No | No | No | ||||
The Unfixing | Nicole Betancourt | 87 | After a surfing accident triggers inexplicable symptoms that leave Nicole unable to work or parent her children, she embarks on a quest of self-discovery. Guided by dreams, nature, and wisdom from others, she weaves an immersive diary of destruction, trauma, love, and renewal. Her journey transforms grief into a new story as she begins to see beauty and regeneration in the world around her.
Nicole faces the overwhelming challenges of personal and global loss as her children inherit a world plagued by environmental crises. Her older child, Pilar, becomes gravely ill with chronic Lyme disease, a condition exacerbated by climate change. As Pilar struggles with paralysis and an inability to attend school, Nicole’s survival strategy of resilience—built on her own experience of loss—begins to unravel. Faced with mounting grief, Nicole spirals into despair, questioning her will to continue.
A vision of her late father, who died of AIDS when it was poorly understood, sparks a turning point. His peace inspires Nicole to confront the heartbreak surrounding her—polluted oceans, burning forests, dying species, and her family’s health struggles.
With restored spirit, Nicole hikes to an alpine lake, where a moment of connection with Wild Gray Jays fills her with awe and renewal. Accepting that she is just a small part of the planet that created her, Nicole finds the strength to embrace possibility and hope. Her sorrow transforms to a fresh narrative, one that sees loss as an opportunity to forge a future of resilience and togetherness. | No | No | No | No | No | No | |||
The Uvalde Love Project | Dacia Saenz | 8 | This short documentary tells the story of the resilience and hope of the Uvalde community, as they work on a therapeutic arts engagement project led by Wanda Montemayor, LPC-S ATCS ATR-BC RPT-S (she/her) shortly after the tragic shooting at Robb Elementary. For 1 year, Wanda and a team of art therapists provided creative tile making workshops to Uvalde children, families, teachers, and community leaders, giving them a safe space to process and connect with each other as they began their healing journeys. The project resulted in a beautiful mosaic mural filled with thousands of handmade tiles, each telling a unique story. The Uvalde Love Project is a powerful example of how art therapy and community collaboration can bring hope, healing, and joy to a town in need. | No | No | No | No | No | No | |||
The volcano and the baby | Danielle Jaeggi | No | No | No | No | No | No | |||||
They Don't Now Im Coming | Jonathan Morales Searles | No | No | No | No | No | No | |||||
This is how the Mexican Revolution began | Nurh Elizabeth Trejo Aguilar | 5 | This work explores the causes of the Mexican Revolution of 1910. After 30 years of Porfirio Díaz's rule, the country experienced economic progress that benefited only a minority.
The central theme is to demonstrate the vast inequality and injustices suffered by the population and how this social discontent became the spark that ignited the armed uprising, marking the end of a dictatorship and the beginning of the struggle for social justice in Mexico. | No | No | No | No | No | No | |||
To Fly | Mohsen Khademi | 15 | In a remote village, a girl shares a deep bond with her duck. When she learns it is in danger, she flees into the mountains, where she meets a mysterious boy who has the ability to hear distant sounds. He takes her to a mystical place called Kenareh, where she witnesses the duck take flight. a moment of both liberation and transformation. | No | No | No | No | No | No | |||
Under Cover | Guillaume Arnoulet | No | No | No | No | No | No | |||||
Underneath | Matthew James Bissett-Johnson | 2 | A geometric shape chases a blob around an underground complex. | No | No | No | No | No | No | |||
Unspoken | MACIEJ ADAMEK | 52 | A portrait of 26-year-old Matthew - a young man who stutters and wants to realize his childhood dream. He wants to become a Polish champion in acrobatics. | No | No | No | No | No | No | |||
Unwind | Jake Sauve | No | No | No | No | No | No | |||||
Vance and the Afterlife | Sam Kimbrell | No | No | No | No | No | No | |||||
Vas Mar | Nima Tabandeh | 19 | Nowruz (Nowruz is the Iranian New Year) is near. The old man is busy doing things to welcome spring, but the old woman is desperate for life and keeps grumbling that she will die soon and why no one is with them and they are alone. But the old man says that they should live with hope as long as they are alive. One morning, when the old man was painting the fences of the porch, he had a stroke and died. Now the old woman has to decide whether to continue to live hopelessly or... she looks at the things in the house and the old man's finished and unfinished works and decides to finish the old man's unfinished works. | No | No | No | No | No | No | |||
Voices of the Mayan Jungle: A Battle for Life | Benjamin Soto and Carlos Samayo | 50 | Among this year's most anticipated feature presentations is the festival premiere of Greenpeace Mexico’s groundbreaking documentary, "Voices of the Mayan Jungle: A Battle for Life" (Voces de la Selva Maya: Una Batalla por la Vida). This powerful film examines the ongoing devastation of Mexico's "green lung" — the Mayan jungle — highlighting threats from deforestation, industrial agriculture, mega pig farms, real estate development, and the controversial Mayan Train project. The documentary gives voice to Indigenous communities and environmental defenders fighting for their home and future. As Greenpeace Mexico’s campaign coordinator Carlos Samayoa states, “We want the cry of the jungle to be heard throughout Mexico and beyond its borders.” Special guests from Greenpeace Mexico and local environmental leaders will join the screening for a Q&A session, offering firsthand insight into this urgent environmental and human rights issue. | No | Yes | No | Yes | No | No | |||
Vortex | Chris Tangey | No | No | No | No | No | No | |||||
Welcome to Vegas | Hae Sun Hong | 82 | Raised behind the steam of her mother’s humble soondae-guk restaurant in Korea, Sunny is a daughter of a single mother who dreams of escaping generational poverty.
She sees a wealthy boyfriend as her way out—but when she becomes pregnant, he disappears.
Refusing to abort, Sunny carries the child and the shame alone.
And so, the cycle continues: a single mother raises another.
Rejected by Korean society, she migrates to Las Vegas, hoping for reinvention.
Instead, she finds herself dealing cards at a casino while her son Jonah, caught in the margins of American life, falls into gang violence and is imprisoned for ten years.
When he returns, burdened by guilt, Jonah sets his sights on a high-stakes poker tournament—hoping to rebuild not just their finances, but their fractured bond.
Welcome To Vegas is the debut feature of Korean-American diaspora female director Hae Sun Hong.
It is a meditation on identity, survival, and intergenerational trauma—set between the pressure cookers of Korean tradition and the neon illusions of the American West.
Through poetic realism and raw emotion, the film reclaims the meaning of family, home, and heritage—on both sides of the Pacific. | No | No | No | No | No | No | |||
What's the Deal | Constanza E. Godoy, Brett W. Vance | 3 | In this edgy lyrical narrative, our protagonist dives into the exhilarating underworld of late-night escapades and clandestine connections. With a daring spirit, the narrator takes us on a wild ride through the neon-lit streets, introducing us to their enigmatic drug dealer, a mysterious figure with an aura of danger and a knack for turning moments into memories.
As the beats drop, so does the veil of caution, revealing a protagonist unapologetically captivated by the allure of their unconventional relationship. The lyrics oscillate between warnings and irresistible temptation, creating a tension that fuels the narrative's pulse. The drug dealer, portrayed as a "bad guy," becomes the enigmatic key to a world where rebellion meets desire.
Set against a backdrop of hazy smoke and pulsating beats, our narrator playfully negotiates the terms of their connection, blurring the lines between danger and desire. The lyrics weave a tale of a modern-day Bonnie and Clyde, unapologetically indulging in a lifestyle that thrives on unpredictability and thrill.
The protagonist's unfiltered expression of their adventures, paired with a confident and carefree attitude, transforms this lyrical journey into an electrifying exploration of rebellion, self-discovery, and the intoxicating dance between the edges of propriety. As the music unfolds, the audience is invited to join the protagonist in a cinematic experience where every beat, every puff of smoke, and every daring encounter becomes a brushstroke on the canvas of an unapologetically vibrant life.
In this world where danger and desire collide, our protagonist embraces the chaos with a wink and a swagger, making these lyrics an irresistible anthem of defiance and pleasure. | No | No | No | No | No | No | |||
Who is God? | Oscar Adan Lopez Parres | No | No | No | No | No | No | |||||
Wild Fire | GuoKai | 20 | Yes | Yes | Yes | Summer | No | No | No | |||
Xpendable | Walter Ernest Haussner | 30 | Inspired by Evan Hunter’s (The Birds, High and Low) early short story The Last Spin, Xpendable tells the story of a dispute between two crime organizations and the decision to settle matters with a representative from each “club”. Whereas the original story dealt with juvenile males from rival gangs, Xpendable shifts the focus to age and gender, along with a dose of black humor. Filmed in Medford and Jacksonville, Oregon, over four days during 2022 and featuring actors Preston Mead, Annette MacGregor, Adam Lewis, Jeffrey Hunter, and Johnny Whelchel, along with a production crew consisting of family and friends, Xpendable is director/producer Walter Haussner’s love letter to Film Noir and David Mamet’s view that “Old age and treachery will always beat youth and exuberance”. | No | No | No | No | No | No | |||
You Think Although You Are Not | SALAHEDDIN NOORI | No | No | No | No | No | No | |||||
the transience | ipek shahbazi, ario motevaghe | No | No | No | No | No | No | |||||
Żubr - Here Be Giants | GILES PITMAN | 29 | Don, a bison ranger, embarks on a journey to the Białowieża Forest in Poland, where he uncovers how these gentle giants are transforming ecosystems.
Armed with these insights, he returns to the UK with a new appreciation of what it means to live alongside wildlife, furthering his work to restore nature and reconnect the next generation through his work with Wildwood Trust. | No | No | No | No | No | No |
Selecciones oficiales de la temporada 3
Número total de presentaciones = 170
93 Selecciones Oficiales + 7 Menciones Honoríficas
TODAS las Selecciones Oficiales siguen siendo elegibles para los premios anuales.
Listado de Selecciones Oficiales por categoría:
GANADORES DE LOS PREMIOS DEL EVENTO ANUAL:
Official Awards Presented = 43
*first time award (new category)
Audience, dir. by Tom Miller, (United States)
-
BEST FEATURE FILM
-
BEST DIRECTOR FEATURE FILM
-
BEST ACTOR FEATURE FILM: Shamrock McShane as "Snerdly"
-
*BEST PRODUCERS FEATURE FILM: Alex Davidowski, Doug Waltonbaugh
-
AUDIENCE CHOICE AWARD
Big Mama Thornton: I Can't Be Anyone But Me, dir. by Robert Clem, (United States)
-
BEST DOCUMENTARY FEATURE FILM
It's About Time, dir. by Dan Hertzog, (United States)
The Series 10K, dir. by Dan Hertzog, (United States)
-
BEST ANIMATION SHORT (The Series 10k)
-
BEST CINEMATOGRAPHY SHORT FILM: (It's About Time) Dan Hertzog
-
*BEST FIRST TIME ACTRESS: Alani Zaya Hertzog as "Justine" in It's About Time
-
*BEST PRODUCERS SHORT FILM: Dan Hertzog, Ganna Hertzog, In The Wee Hours
Piggy Duster, dir. by Jesse Stewart, (United States)
-
BEST FIRST FEATURE FILM
-
BEST VISIONARY DIRECTOR: Jesse Stewart
-
*BEST EXECUTIVE PRODUCER: Gary Fieldman
Leaving Beringia, dir. by Barbara Hager, (Canada / United States / Mexico)
-
BEST INNOVATIVE CULTURAL STORYTELLING
Flowers Beyond The Dark, dir. by Iryna Pravylo, (Ukraine)
-
BEST CULTURAL DOCUMENTARY
The Dog, My Father And Us., dir. by Pablo Arturo Suárez, (Ecuador)
-
BEST CULTURAL FEATURE FILM
Sargassum, dir. by Claude Barnes, (Canada / United States / Barbados / Mexico)
-
*BEST ENVIRONMENTAL FILM
Class Of Her Own, dir. by Boaz Dvir, (United States)
-
*BEST EDUCATIONAL FILM
The Unfixing, dir. by Nicole Betancourt, (Spain / United States), Doc Feature, 87 min
-
BEST EDITING - DOCUMENTARY
Jailhouse To Milhouse, dir. by Buddy Farmer, (United States)
-
*BEST VÉRITÉ DOCUMENTARY FEATURE FILM
Zubr: Here Be Giants, dir. by Giles Pitman, (United Kingdom),
-
BEST FIRST DOCUMENTARY SHORT FILM
-
*BEST VÉRITÉ DOCUMENTARY SHORT FILM
Shield. The Living Wall Of The Caribbean, dir. by Mario Cuesta Hernando, (Spain / United States / Mexico / Panama / Puerto Rico)
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BEST CINEMATOGRAPHY DOCUMENTARY FEATURE
The Color Of Exile, dir. by Azlarabe Alaoui, (France)
-
BEST CINEMATOGRAPHY FEATURE FILM
The Reach, dir. by Luca Caserta, (Italy)
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BEST SHORT FILM
-
BEST ACTRESS: Jana Balkan as "Stella Flanders"
Bloodroot Reserve, Script/Screenplay by Kerra Bolton
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BEST SCREENPLAY
Mutación (Mutation), dir. by Carlo Ayhllón, (Mexico)
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BEST ORIGINAL SCORE
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STEVE PHILLIPS AWARD FOR BEST SOUND DESIGN
Food Roots, dir. by Michele Josue, (United States)
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BEST DOCUMENTARY SHORT FILM
The Family Photo, dir. by John Norris Ray & Maria Victoria Sanchez, (United States, Mexico)
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*BEST FAMILY FILM
Xpendable, dir. by Walter E. Haussner, (United States)
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*BEST FILM NOIR SHORT
Cats, dir. by Danilo Stanimirović, (Serbia / Switzerland)
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BEST DIRECTOR SHORT FILM
Miami Creek, C. 1350, dir. by Walter Bender, (United States)
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BEST MUSIC VIDEO
The Ale, dir. by Adrian Eppel, (Australia)
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*BEST MICRO-SHORT
The Space Between Attack And Decay, dir. by Jessica Kourkounis, (United States)
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BEST EXPERIMENTAL SHORT FILM
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BEST VISIONARY DIRECTOR SHORT FILM: Jessica Kourkounis
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BEST ACTOR SHORT FILM: Boris McGiver as "Ricki Constant"
Hide, dir. by Brenden Hubbard, (United States)
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*BEST PSYCHOLOGICAL THRILLER SHORT FILM
Heart Failed, dir. by Diana Näcke, (Germany)
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BEST DIRECTOR MUSIC VIDEO: Diana Näcke
Caminos Al Cielo (Roads To Heaven), dir. by Erik Y. Montiel, (Mexico)
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BEST FIRST SHORT FILM
Aloof (Desden), dir. by Dylan Vega Aragon, (Mexico)
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BEST FIRST STUDENT FILM
This Is How The Mexican Revolution Began, dir. by Nurh Elizabeth Trejo Aguilar, (Mexico)
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*BEST YOUNG FILMMAKER'S AWARD
Audience, dir. Tom Miller, (Estados Unidos), Largometraje, 65 min
Piggy Duster, dir. Jesse Stewart, (Estados Unidos), Largometraje, 91 min
El color del exilio, dir. Azlarabe Alaoui, (Francia), Largometraje, 98 min
El perro, mi padre y nosotros, dir. Pablo Arturo Suárez, (Ecuador), Largometraje, 90 min
Bienvenidos a Las Vegas, dirigida por Hae Sun Hong, (Estados Unidos / Corea), Largometraje, 82 min
Teléfono público, dir. Mois Roditi Haydenblit, (México), Largometraje, 77 min *Previamente seleccionada pero retirada de la proyección y de las nominaciones debido a compromisos de distribución*
Big Mama Thornton: No puedo ser nadie más que yo, dir. Robert Clem, (Estados Unidos), Documental, 88 min
Class Of Her Own, dir. Boaz Dvir, (Estados Unidos), Documental, 87 min
De la cárcel a Milhouse, dirigida por Buddy Farmer, (Estados Unidos), documental, 67 min
Flores más allá de la oscuridad, dir. Iryna Pravylo, (Ucrania), documental, 78 min
Leaving Beringia, dir. Barbara Hager, (Canadá / Estados Unidos / México), Documental, 90 min
Mutación, dir. Carlo Ayhllón, (México), Largometraje documental, 60 min
Más allá de la luna: Mis aventuras lidiando con sectas, dirigida por Michael A. Smith y Ted E. Haynes (Estados Unidos), documental, 66 min
Sargassum, dir. de Claude Barnes, (Canadá / Estados Unidos / Barbados / México), Largometraje documental, 90 min
Escudo. El Muro Viviente del Caribe, dir. Mario Cuesta Hernando, (España / Estados Unidos / México / Panamá / Puerto Rico), Documental, 80 min
El Reencuentro. 500 Años de Moctezuma y Cortés, dir. Miguel Gleason, (México), Largometraje Documental, 100 min
The Unfixing, dir. Nicole Betancourt, (España / Estados Unidos), Documental, 87 min
Acre Wall Jumpers, dirigida por Donna Hacohen y Fira (Israel), cortometraje documental, 56 min
Adas Falasteen, dir. por Hamdi Khalil Elhusseini y Samar Taher Lulu, (Palestina), Doc Short, 8 min
Dayton Guitars, dir. de D. Emmet Wilson, (Estados Unidos), Doc Short, 17 min
Food Roots, dir. Michele Josue, (Estados Unidos), cortometraje documental, 60 min
Colgando a los muertos, dir. Rahul Dholakia, (India), cortometraje documental, 29 min
Así empezó la Revolución Mexicana, dir. Nurh Elizabeth Trejo Aguilar, (México), Doc Short, 6 min
Zubr, dir. de Giles Pitman, (Reino Unido), cortometraje documental, 30 min
The Ale, dir. Adrian Eppel, (Australia), Corto, 2 min
Alejado (Desden), dir. por Dylan Vega Aragón, (México), Corto, 12 min
Caminos Al Cielo (Roads To Heaven), dir. por Erik Y. Montiel, (México), Corto, 15 min
Cats, dir. Danilo Stanimirović, (Serbia / Suiza), Cortometraje, 10 min
Curandero, dir. de Armando Arenas, (México), Corto, 20 min
Diego Velazquez: A Body Of Work, dir. Walter E. Haussner, (Estados Unidos), Cortometraje, 20 min
Hombre de ensueño, dir. por Harald Takke y Steven Takke, (Alemania), corto, 30 min
Dreamer, dir. Juan Javier “Javo” Aguirre, (Estados Unidos), Cortometraje, 20 min
El Búnker, dir. por Rodrigo Gil Becerra & Bruno Leal Herrera, (México), Corto, 14 min
Goma, dir. de Belal Albader, (Arabia Saudita), Corto, 10 min
Hide, dir. de Brenden Hubbard, (Estados Unidos), Cortometraje, 17 min
Homicidio, dir. por Nima Tabandeh, (Irán), corto, 10 min
Invasores del Valle Saloon, dir. Dustin Tidwell, (Estados Unidos), Cortometraje, 12 min
Ya era hora, dir. Dan Hertzog, (Estados Unidos), Cortometraje, 21 min
Man Eater, dir. de Alexander Whitrow, (Australia), Cortometraje, 25 min
Turno de noche en casa de Ned, dir. de Hagen Mattingly, (Estados Unidos), corto, 25 min
Orange Cove, dir. John Lockmer, (Estados Unidos), Cortometraje, 12 min
Parasomnia, dir. de Daniel Noblom Gibert, (España), Corto, 11 min
PeriPerseu, dir. Stella Brajterman, (Brasil), Cortometraje, 5 min
Somber Tides, dir. de Chantal Caron, (Canadá), Cortometraje, 12 min
La vida de Dae-Vee Six, dir. JD McWilliams, (Estados Unidos), Cortometraje, 11 min
El Mago, dir. por Mathieu Gauvreau, (Canadá), Corto, 19 min
The Reach, dir. de Luca Caserta, (Italia), Cortometraje, 28 min
The Rivals, dir. de Fraser James MacLeod, (Suecia), corto, 25 min
La Concha, dir. de Marco Santos, (Portugal), Corto, 7 min
El espacio entre el ataque y la decadencia, dir. Jessica Kourkounis, (Estados Unidos), Cortometraje, 29 min
Para volar, dir. por Mohsen Khademi, (Irán), corto, 16 min
Vas Mar, dir. por Nima Tabandeh, (Irán), corto, 20 min
Xpendable, dir. de Walter E. Haussner, (Estados Unidos), Cortometraje, 30 min
El futuro con nosotros, dir. Ziping Yu, (China), Animación, 2 min
Olympus Plays On, dir. Rodyz Art, (Bélgica), Animación, 5 min
Amigos del celular, dir. por Melle Windig, Hidde Alberts, Miguel Reyes, Jurgen de Smit, Arjen van der Plas, (Países Bajos), Animación, 6 min
La Serpiente Mitológica, dir. Miguel Gleason, (México), Animación, 3 min
Debajo, dir. Matthew James Bissett-Johnson, (Australia), Animación, 3 min
Miami Creek, c. 1350, dir. de Walter Bender, (Estados Unidos), animación/vídeo musical, 5 min
El asombroso Kitsuverse, dir. Leo Neumann, (Alemania), Animación, 6 min
Superescolares 2. Una mente sana, dir. de Íñigo Echávarri, (España), Animación, 6 min
Prayer Of The Sea, dir. Martin Gerigk, (Alemania), Animación, 7 min
The Family Photo, dir. John Norris Ray y Maria Victoria Sanchez, (Estados Unidos), Animación, 9 min
Little Wings, dir. Kyu Dong Min, (Corea del Sur), Animación, 7 min
La serie 10K, dir. Dan Hertzog, (Estados Unidos), Animación, 7 min
Elías Ai, dir. de Marco Casado, (México), Animación, 11 min
El pequeño antepasado, dir. Alexa Tremblay-Francoeur, (Canadá), Animación, 12 min
Fecha límite, dir. por Idan Gilboa, (Israel), Animación, 15 min
Darling Dark – Ma Mort, dir. de Ju Conci, (Brasil), Videoclip, 3 min
“Got That Holy Spirit”, dirigida por Ayanda Andiy Nxum (Australia), video musical, 3 min
Buscando ese mar, dir. Xavier Guàrdia, (España), Vídeo musical, 4 min
Ahorita, dir. por Simone Coppo, (Italia), vídeo musical, 4 min
Heart Failed, dir. Diana Näcke, (Alemania), vídeo musical, 4 min
Pequeña querida, dir. de Xavier Guàrdia, (España), Vídeo musical, 4 min
Fight For Me, dir. Juanfer Andres, (España), Vídeo musical, 4 min
Darling Dark – Time Still Breaks, dir. de Ju Conci, (Brasil), Videoclip, 4 min
Blue Moanin', dir. de Allen Brooks, (Estados Unidos), Vídeo musical, 5 min
A Touch of Clash, dir. de Moe Taylor (Estados Unidos), vídeo musical, 7 min
Un gusto por la locura, guion de Andrew JP Carroll
Bloodroot Reserve, guion de Kerra Bolton
¿Suerte?, Guión de Tom E. Nicholson
El viaje de Midnite, guion de Beverly Horvath y Dana L. Silkiss
Frankenstein moderno, guion de Gabriel Jeanne
Moon Players, guion de Valerie Green
Notas Del Cielo, Guión de Manuel Antonio Cantú
Manos rojas, una novela de Mary MacIntosh, guion de Maureen Anne Meehan
Sacrament Volume I (Guión corto de prueba de vida), guion de Maxwell Highsmith
Domingos silenciosos, guion de David Michael Glahn
Luna de Plata, guion de Lex Sverre Levin
El Rey Mágico, Guión de John Norris Ray
Teatro 8, Guión de John P. Martínez
Desafío desatado, guion de Val Goldenbrook
Cuando los velos bailan, guion de Tayebe Babaei
PROYECCIONES ESPECIALES:
El marinero del fin de semana, dir. Bernardo Arsuaga, (México, Estados Unidos), Largometraje documental. 74 min
TEMPORADA 3 (2026) MENCIONES HONORÍFICAS:
Justicia Suave, dir. por Anneloor van Heemstra, (Países Bajos), artículo documental
MXAT.doc, dir. por Dmitry Nikolenko, (Federación Rusa), Doc Feature
Las pequeñas cosas que dirigen el mundo, dir. Doug Hawes-Davis, (Estados Unidos), Documental
Interpretando a Erik, dir. Donald D'Haene, (Canadá), Doc Short
Muñecas de trapo, dir. de Amy Adler, (Estados Unidos), Doc Short
Spoken For – The Movie, dirigida por Jean-Yves “Jeeve” Ducornet (Estados Unidos), videoclip
Sara, dir. de Ariana Andrade Castro, (Perú), Cortometraje
TEMPORADA 3 (2026) MENCIONES HONORÍFICAS:
Justicia Suave, dir. por Anneloor van Heemstra, (Países Bajos), artículo documental
MXAT.doc, dir. por Dmitry Nikolenko, (Federación Rusa), Doc Feature
Las pequeñas cosas que dirigen el mundo, dir. Doug Hawes-Davis, (Estados Unidos), Documental
Interpretando a Erik, dir. Donald D'Haene, (Canadá), Doc Short
Muñecas de trapo, dir. de Amy Adler, (Estados Unidos), Doc Short
Spoken For – The Movie, dirigida por Jean-Yves “Jeeve” Ducornet (Estados Unidos), videoclip
Sara, dir. de Ariana Andrade Castro, (Perú), Cortometraje
Premios bimensuales Early Bird de la temporada 3:
Todas las Selecciones Oficiales siguen siendo elegibles para los premios anuales. Estos ganadores bimensuales ahora se consideran selecciones oficiales y nominados para los Premios Anuales, pero NO se garantiza que ganen un premio anual.
Anunciamos los 5 ganadores del premio bimestral de invierno Early Bird *:





Premio Winter Early Bird a la mejor película: Piggy Duster , dirigida por Jesse Stewart (EE. UU.)
Premio Winter Early Bird al Mejor Documental (Biografía Musical): Big Mama Thornton: I Can't Be Nobody But Me , dirigida por Robert Clem (EE. UU.)
Premio Early Bird de Invierno al Mejor Cortometraje Documental: ZUBR: Here Be Giants , dirigida por Giles Pitman (Reino Unido)
Premio Early Bird de Invierno al Mejor Cortometraje: The Reach , de Luca Caserta (ITALIA)
Premio Madrugador de Invierno a la Mejor Película Experimental: The Space Between Attack and Decay , dirigida por Jessica Kourkounis (EE. UU.)
LEA MÁS SOBRE ESTAS PELÍCULAS AQUÍ .
Anunciamos los 5 ganadores del premio bimestral Early Bird de otoño *:





Premio Madrugador de Otoño a la Mejor Película: Welcome To Vegas , dirigida por Hae Sun Hong (Corea del Sur)
Premio Madrugador de Otoño al Mejor Documental (Viaje Personal): The Unfixing , dirigida por Nicole Betancourt (EE. UU.)
Premio Madrugador de Otoño al Mejor Documental (Exploración Cultural): Leaving Beringia , dirigida por Barbara Hager (Canadá)
Premio Madrugador de Otoño al Mejor Cortometraje: Gum, dirigida por Belal Albader (Arabia Saudita)
Premio Early Bird de otoño al mejor vídeo musical: Heart Failed , dirigida por Diana Nåcke (Alemania)
Anunciamos los 5 ganadores del premio bimestral de verano Early Bird *:





Premio Early Bird de verano a la mejor película: Audiencia , dirigida por Tom Miller (EE. UU.)
Premio Early Bird de verano al mejor documental: Sargassum , de Claude Barnes (Canadá)
Premio Early Bird de verano al mejor cortometraje: Hide , dirigida por Brenden Hubbard (EE. UU.)
Premio Early Bird de verano a la mejor animación: Deadline , dirigida por Idan Gilboa (Israel)
Premio Early Bird de Verano al Mejor Vídeo Musical: Searching For That Sea , dir. Xavier Guàrdia (España)
¡Felicitaciones, cineastas! Estos 15 ganadores del programa Early Bird recibirán selecciones y nominaciones oficiales automáticas para nuestra ceremonia anual de premios PAIFF en marzo de 2026.
Todas las presentaciones restantes y las nuevas entradas siguen siendo elegibles paranuestro evento anual de premios.
Temporada 2 (Primavera de 2025)
131 presentaciones
77 Selecciones
60 premios *(45 anuales / 15 anticipados)
4 Menciones Honoríficas
Sahara: Fin del viaje (España)
Fin de viaje al Sahara
GANADOR:
Mejor largometraje
Mejor fotografía (largometraje)
Mejor Actriz (Largometraje)
Ganador del premio Winter Early Bird (Mejor película)
Dirigida por Antonio Rodríguez Cabal
Director de fotografía - Javier Salmones
Maru Valdivielso como “Florencia”
Algún tipo de justicia (EE.UU.)
GANADOR:
Mejor Director (Largometraje)
Mejor actor de reparto (largometraje)
Historias del Canal (Panamá)
GANADOR:
Premio del Público (Película Favorita)
Dirigida por Carolina Borrero, Pinky Mon, Luis Franco Brantley, Abner Benaim, Pituka Ort



El Poder de Uno (Colombia / EE.UU.)
GANADOR:
-
Mejor largometraje documental

Nada (EE.UU.)
GANADOR:
Mejor cortometraje
Mejor cortometraje experimental
Mejor Director Visionario (Cortometraje)
Dirigida por Tom Miller y Alex Davidowski
Vocas de la Selva Maya: Una batalla por la vida (México)
GANADOR:
Mejor cortometraje documental
Mejor película cultural
Dirigido por Benjamín Soto y Carlos Samayo, presentado por Greenpeace
Otra ronda - James Downham, Amanda Kind (Canadá)
GANADOR:
-
Mejor video musical
Dirigida por AJ Astle, Jake Sauvee
En la mitad (España)
GANADOR:
-
Mejor película de animación
El Expediente Michoacano (México)
GANADOR:
Mejor director (largometraje documental)
Mejor montaje (largometraje documental)
Ganador del premio Summer Early Bird (Mejor documental)
El Brattt (Rusia)
GANADOR:
Mejor edición (Función)
Premio Steve Phillips al mejor diseño de sonido (largometraje)
Mejor película experimental (largometraje)






La era de la desgracia: La balada de John Murry (Irlanda)
GANADOR:
Mejor banda sonora original (documental)
Ganador del premio Winter Early Bird (Mejor documental)
Somewhere Confidential (EE. UU.)
GANADOR:
-
Mejor banda sonora original (largometraje)
Dirigida por Casey Siegel
Banda sonora original de Andrew M. Edwards




El regreso de la Virgen Negra (México, EE. UU.)
GANADOR:
Mejor Director (Cortometraje Documental)
Mejor ópera prima (cortometraje documental)
Dirigida por Kerra Bolton
Mahsoo (Irán)
GANADOR:
Mejor Actriz (Cortometraje)
Mejor diseño de sonido (cortometraje)
Mejor ópera prima (estudiante)
Dirigida por Fatemeh Mehdipoor
Sarina Rajabi como “Mahsoo”
Diseño de sonido de Hamed Arib
Destino velado: Una larga historia de Star Wars, parte 1 de 3 (Dinamarca)
GANADOR:
Mejor fotografía (cortometraje)
Mejor ópera prima (cortometraje)
Ganador del premio Early Bird de otoño (Mejor cortometraje)
Dirigida por Shahbaz Sarwar y Erik Alejandro González
Fotografía de Dan Stilling



La rebelión de las patatas fritas (EE. UU.)
GANADOR:
Mejor Director (Cortometraje)
Ganador del premio Summer Early Bird (Mejor cortometraje)
JÓLAKÖTTURINN (Islandia, EE.UU.)
GANADOR:
Mejor fotografía (vídeo musical)
Mejor banda sonora original (vídeo musical)
Dirigida por Dan Hertzog
MIEDO (India)
GANADOR:
Mejor director visionario (largometraje)
Ganador del premio Summer Early Bird (Mejor largometraje)
El amor se esconde al descubierto (Reino Unido)
GANADOR:




-
Mejor ópera prima (largometraje)
Dirigida por Brian Finucane
Entrelazando el conocimiento a través de la respiración, el movimiento y el lenguaje (Canadá)
GANADOR:
Mejor narrativa cultural innovadora
Mejor diseño de sonido (película documental)
Los hijos de Ícaro (EE. UU.)
GANADOR:
-
Mejor edición (cortometraje)
Dirigida por Gary Fieldman
Editado por Chloe Deakon
Co-Working Consciente (México)
GANADOR:
-
Mejor ópera prima visionaria
Chispas – Robert John Hope (Alemania)
GANADOR:
-
Mejor director (vídeo musical)
Gin Lane Revisited – Robert John Hope (Alemania)
GANADOR:
-
Mejor edición (vídeo musical)
KRYLA (Ucrania)
GANADOR:
Mejor vídeo musical visionario
Mejor director visionario (video musical)
Dirigida por Anastasiia Lapko
Monarca (México/EE. UU.)
GANADOR:
Mejor guión
Ganador del premio Early Bird de otoño (Mejor guion)
Escrito por Mauricio Herrera Manzur







El estreno (EE. UU.)
-
Mención de Honor (Largometraje)
El Proyecto del Amor Uvalde (EE.UU.)
-
Mención de Honor (Película Documental)
By The Sea (EE. UU./Suiza)
-
Mención honorífica (Cortometraje)
Secretos de la Lotería Babilónica (EE. UU.)
-
Mención de honor (guión)
Escrito por Kostiantyn Mishchenko




-
Ganador del premio Summer Early Bird (Mejor animación)
Mortem Obire (México)
El Abismo (Argentina)
-
Ganador del premio Summer Early Bird (Mejor Experimental)
Dirigida por Andrés Aloi
La Novena Orden (Australia)
-
Ganador del premio Early Bird de otoño (Mejor película)
Escape Room (Rusia)
Ganador del premio Early Bird de otoño (Mejor animación)




Capacidad en reserva (EE. UU.)
Ganador del premio Winter Early Bird (Mejor documental)
El fin fue solo el comienzo / O Fim era Apenas o Início (Portugal)
-
Ganador del Winter Early Bird (Mejor Cortometraje)
¡Illuminatus! (EE. UU.)
-
Ganador del premio Winter Early Bird (Mejor animación)
Dirigida por Chris Kalis
Indefinidamente (EE.UU.)
-
Ganador del premio Winter Early Bird (Mejor película estudiantil)
Dirigida por Aloha Lee




Katábasis (Italia)
Dirigida por Samantha Casella
• Selección Oficial
Poyyamozhi (India)
Dirigida por Sudhi Anna
• Selección Oficial
Transpórtate Scotty (Nueva Zelanda)
Dirigida por Hannah Samantha Simicic
• Selección Oficial
Canto de las Dunas (EE. UU.)
Dirigida por Mokhless Al-Hariri
• Selección Oficial
Okhaldhunga (Alemania, Suiza, Nepal)
Dirigida por Marcel Weiß
• Selección Oficial
Fuera de la foto (EE. UU.)
Dirigida por Mary Louise Schumacher
• Selección Oficial
La comida que da combustible (EE. UU.)
Dirigida por Ed Porter
• Selección Oficial
Tácito (Polonia)
Dirigida por Maciej Adamek
• Selección Oficial
De noche (Irán)
Dirigida por Mahmood Arib
• Selección Oficial
Círculo (Turquía)
Dirigida por Ferhat Ertan
• Selección Oficial




Doppel (México)
Dirigida por Daniela Alejandra Hernández Álvarez
• Selección oficial
Infructuoso (Portugal)
Dirigida por Orlando Solano
• Selección oficial
¡MIAU! (Reino Unido)
Dirigida por Michal Vojtech, Ariel de la Garza Davidoff
• Selección Oficial
En ninguna parte (Irán)
Dirigida por Erfan Parsapour
• Selección Oficial
Ojichaag - Espíritu interior (Canadá)
Dirigida por Rachel Beaulieu
• Selección Oficial
Cuarentena (Irán)
Dirigida por Uranus Independent Company
• Selección Oficial
Reflexión (Irán)
Dirigida por Maedeh Abdi
• Selección oficial
Pequeñas cosas (EE. UU.)
Dirigida por Angela Andronache
• Selección oficial



Serpientes y escaleras (Irán)
Dirigida por Mostafa Rostampour
• Selección Oficial
Surete de Matar (El acto de la muerte) (EE. UU.)
Dirigida por Diego Rocha
• Selección Oficial

El lado positivo (Reino Unido)
Dirigida por Mikey Altoft
• Selección Oficial
La historia de un día colorido (Irán)
Dirigida por Mahmood Arib
• Selección Oficial
Robofauna (Panamá)
Dirigida por Gerardo Escudero Samara
• Selección Oficial
La chica del bosque (Rusia)
Dirigida por Alexander Mulumbator Ovsyankin
• Selección Oficial

El último tiroteo… ¡aún! (Francia)
Dirigida por Pablo Tréhin-Marçot
• Selección oficial
La pesadilla de los corredores (Bulgaria)
Dirigida por Ivan Kashlakov
• Selección oficial
Los elefantes de Avalon Beach (Australia)
Dirigida por Jae Morrison
• Selección Oficial


















Para obtener más selecciones oficiales de la temporada 2, visita nuestra página de Archivos aquí.
Temporada 1 (primavera de 2024)
92 propuestas
62 selecciones
50 premios
Delirio de Roswell (EE. UU.)
GANADOR:
Mejor largometraje
Mejor actor de reparto - Largometraje: Anthony Michael Hall como “Jerry”
Mejor Actriz de Reparto - Largometraje: Dee Wallace como “Betty”
Mejor fotografía - Largometraje: Carter Ross
Mejor banda sonora original - Largometraje: Troy Van Leeuwen
Dirigida por Richard Bakewell
Hijas del Maguey / Las hijas del Maguey (México)
GANADOR:


El viaje de Lissa (EE. UU.)
GANADOR:
Mejor director de largometraje: Jeffery Lando
Mejor montaje - Largometraje
Mejor Actriz de Largometraje: Sofia Vassilieva como “Lissa”
Mejor diseño de sonido - Largometraje
Dirigida por Jeffery Lando
El tren y la península /
El Tren y La Península (México)
GANADOR:
• Mejor largometraje documental de edición
Dirigida por Sky Richards y Andreas Kruger Foncerrada


Mentawai: Almas del Bosque / Almas del Bosque (Indonesia/Alemania)
GANADOR:
Mejor fotografía - Largometraje documental
Mejor banda sonora original - Documental
Mejor ópera prima documental

MORE AWARDS FROM SEASON 1:
PLEASE VISIT OUR ARCHIVES PAGE FOR MORE SELECTIONS & DETAILS
BEST VISIONARY DIRECTOR - FEATURE
THE ANNOYED - Directed by Mehdi Fard Ghaderi, IRAN
BEST DIRECTOR - DOCUMENTARY FEATURE
TAKE YOUR SPACE - Directed by Karolína Alvarez
AUDIENCE CHOICE AWARD - FAVORITE … (TIE)
THE POWER OF ONE (work-in-progress) - Directed by Alex Valdez, USA
SAVING WALDEN'S WORLD - Directed by Jim Merkel, USA
SPECIAL JURY PRIZE -BEST INNOVATIVE CULTURAL STORYTELLING
A LATINO HOLLYWOOD NIGHTMARE - Jeff Valdez, USA/Mexico
BEST SHORT FILM
BETWEEN THE WORDS - Directed by Farid Ismail, Luxembourg
BEST DOCUMENTARY SHORT FILM
MONEY MAKER - Johannes Thuermer, Martina Schuster, Germany
BEST DIRECTOR - SHORT FILM
DEATH ANNIVERSARY - Directed by Armin Keshvari, IRAN
BEST VISIONARY DIRECTOR - SHORT FILM
EXPENSES - Directed by Gary Fieldman, USA
BEST DIRECTOR - DOCUMENTARY SHORT FILM
MONEY MAKER - Directed by Johannes Thuermer and Martina Schuster, Germany
BEST EDITING - SHORT FILM
Dan Hertzog - DOMINO SPRINGS - Directed by Dan Hertzog, USA
BEST EDITING - DOCUMENTARY SHORT
Nèma van Raalte - ARMED WITH A BRUSH - Directed by Nèma van Raalte, Chile, Netherlands
BEST CINEMATOGRAPHY - SHORT FILM
Dan Hertzog - DATING AUDREY - Directed by Dan Hertzog, USA
BEST VISIONARY CINEMATOGRAPHY - SHORT FILM
Milad Hosseini - DEATH ANNIVERSARY - Directed by Armin Keshvari, Iran
BEST ACTOR - FEATURE
Farrokh Nematia as Sepanta Shaygan in THE ANNOYED, Directed by Mehdi Fard Ghaderi, IRAN
BEST ACTOR - SHORT
Edmund C. Short as “Pete” in DATING AUDREY, Directed by Dan Hertzog, USA
BEST ACTRESS - SHORT
Dostana Nikolić as “Saska” in 5/3/0, Directed by Danilo Stanimirović, SERBIA
BEST MUSIC VIDEO
CAR COLORS - OLD DEATH - Directed by Kyle Garrett, USA
BEST MUSIC DOCUMENTARY
DEBS STUDIO - Directed by Miguel Octave, FRANCE
BEST DIRECTOR - MUSIC VIDEO
CAR COLORS - OLD DEATH - Directed by Kyle Garrett, USA
BEST VISIONARY DIRECTOR - MUSIC VIDEO
THE GIRL WHO FADED AWAY - Directed by Brent Heise, USA
BEST EDITING - MUSIC VIDEO
CAR COLORS - OLD DEATH - Directed and Edited by Kyle Garrett, USA
BEST CINEMATOGRAPHY - MUSIC VIDEO
UNWIND - JAMES DOWNHAM - Directed by Jake Sauve, CANADA
BEST ORIGINAL SCORE - MUSIC VIDEO
SHOT! - KROSSOVER, MEXICO
BEST SOUND DESIGN - DOCUMENTARY
DEBS STUDIO - Directed by Miguel Octave, FRANCE
BEST SOUND DESIGN - MUSIC VIDEO
WHAT’S THE DEAL -Directed by Constanza E. Godoy, Brett W. Vance, USA
BEST VISIONARY MUSIC VIDEO
4 Of You - LOAD -Directed by Cam Bennett, Dave Zellis, & Carrie Forsythe, CANADA
BEST CULTURAL MUSIC VIDEO
THE ESCENCE OF THE GUAGUANCO, SKALA B, MUSIC FROM CUBA - directed by Jairo Valeria Mosqueira of Belgium
BEST SCREENPLAY
THE ARCHITECT OF THE FUTURE - Written by Michael D. Eerdmans, USA
BEST TRAILER
THE POWER OF ONE - Directed by Alex Valdez, USA
BEST EXPERIMENTAL FEATURE FILM
Gulag Eros of the Russian Mind: Sex in the Soviet Union, Directed by Chad Gracia, Ukraine
BEST EXPERIMENTAL SHORT FILM
“52 Thursdays” Directed by R.D. Cane, CANADA
BEST FIRST FEATURE FILM
BUMPER - Directed by Selvakumar M, INDIA
BEST FIRST DOCUMENTARY SHORT FILM
ARMED WITH A BRUSH, directed by Nèma van Raalte, Netherlands
BEST VISIONARY FIRST FILM
LA PIPERA - Directed by Miguel Perez, Mexico
BEST FIRST SHORT FILM
CASH ON DELIVERY -directed by Udara Buddika Wijesinghe, Sri Lanka
BEST FIRST STUDENT FILM
BERLIN - directed by Ashley Bogley, USA








































































